![]() Her pencil drawings, with clean watercolor washes laid in, are sweetly similar to those in her early board books ( Clap Hands, 1987, etc.). Oxenbury’s charming illustrations depict infants from a variety of ethnicities wearing clothing that invokes a sense of place. Whether from a remote village or an urban dwelling, a tent or the snow, Fox notes that each “of these babies, / as everyone knows, / had ten little fingers / and ten little toes.” Repeated in each stanza, the verse establishes an easy rhythm. 3-6)Ī pleasing poem that celebrates babies around the world. Polished prose, rhythmic and repeated sound effects, and amusing and appealing illustrations add up to satisfying whole that will be enjoyed as a bedtime story for preschoolers and as a read-aloud in story hours with bedtime or noise themes. ![]() Taylor’s loose watercolor illustrations show lots of clever details in the well-appointed home, and she creates engaging personalities for the two animal characters. Each obstacle has its own special sound effect, repeated in turn by both characters until Mole falls asleep with the purring cat in front of the cozy fireplace. Rabbit keeps hearing noises (a ticking clock, a dripping faucet, a purring cat, and a banging gate) that prevent him from falling asleep, but Mole patiently gets up from his own bed and solves each problem in turn, until he can’t fall asleep himself due to Rabbit’s snoring. Rabbit and Mole are roommates who share a cozy underground home in this delightful bedtime story with a cacophony of cumulative sound effects.
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